Velvet, saturated, theatrical. The colour does the first half of the work; what happens after is between us.
The Red Room is the most theatrical of the seven. Floor, ceiling, walls — all dressed in deep red. Velvet drapes break the room into corners. The light is filtered, lit from below, lit from behind, never from above. The body, in here, becomes a colour study.
This is the room for the showpiece scene — the long evening, the witnessed audition, the elaborate restraint that asks for the right background. Cinematic, slow, and indulgent of every theatrical instinct.